Seoul
2024
| Entrant Company | Dolphiners Films |
|---|---|
| Medium | Film & Video |
| Category | Music Videos |
Los Angeles
2024
| Entrant Company | Craft Recordings |
|---|---|
| Medium | Design |
| Category | Packaging |
New York
2024
| Entrant Company | Spotify In-House |
|---|---|
| Medium | Digital/Mobile |
| Category | Virtual/Augmented Reality |
New York
2024
| Entrant Company | FCB New York |
|---|---|
| Medium | Public Relations |
| Category | Brand and Artist Collaboration |
Seoul
2024
| Entrant Company | Dolphiners Films |
|---|---|
| Medium | Film & Video |
| Category | Music Videos |
Los Angeles
2024
| Entrant Company | Craft Recordings |
|---|---|
| Medium | Design |
| Category | Packaging |
New York
2024
| Entrant Company | Spotify In-House |
|---|---|
| Medium | Digital/Mobile |
| Category | Virtual/Augmented Reality |
New York
2024
| Entrant Company | FCB New York |
|---|---|
| Medium | Public Relations |
| Category | Brand and Artist Collaboration |
Portland
2024
| Entrant Company | The Crystal Creative |
|---|---|
| Medium | Use of Music in Trailers & Teasers |
| Category | Theatrical Trailer/Teaser |
| Entry Type | Adapted |
Johannesburg
2024
| Entrant Company | TigerFight |
|---|---|
| Medium | Use of Music in Film & Video |
| Category | 61 Seconds to Five Minutes |
| Entry Type | Original |
Berlin
2024
| Entrant Company | Scholz & Friends |
|---|---|
| Medium | Sonic Branding |
| Category | Sonic Branding |
| Entry Type | Original |
Los Angeles
2024
| Entrant Company | Doomsday Entertainment |
|---|---|
| Medium | Use of Music in Film & Video |
| Category | 61 Seconds to Five Minutes |
| Entry Type | Original |
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